Pencillmatic

'Eyes Wide Open' at Stoa Gallery 2–14.3.2010

2010-03-02T05:04:00.001-08:00

The opening of this new show is on Wednesday 3.3.2010 from 17:00 at Stoa Gallery.
From the press release:

The exhibition Eyes Wide Open lends in Stoa gallery. It is like an echo of Nicolas Schevin previous show in Kluuvi gallery. A selection of recent drawings from the previous show is presented alongside three new ones while the video piece Sea of Grass is re-introduced six years after its first appearance in Helsinki.

Once again the viewer’s ability to see is moved into a realm of broken images stranded after a hypothetical disaster.Nicolas Schevin’s work is charged with notions such as the destruction, the fragmented, the ruins and the survivor. Therefore the relation one can establish with these works is always insecure and evasive. While the drawing exposes its wounds as unique treasures, the meaning itself is in reconstruction and the viewer’s help –or imagination– is often needed. Within this context there is no hierarchy and contradicting elements are brought together to improvise.

Nicolas Schevin Amazon (pencil on paper,84 x 112 cm, 2010)

Vision at Kluuvi Gallery

2009-11-11T00:30:00.000-08:00

Heads up! This exhibition opening is happening on Friday 20th of November from 5PM to 7PM at Kluuvi Gallery. Welcome!

More info about the show will be posted soon!

"1-1-1 Planet", Dual channel video installation, 2009

Version Festival (Chicago)

2009-04-24T06:37:00.000-07:00

The video Untitled 2007 will be featured in a compilation curated by Jenni Rope for the Version Festival in Chicago, in April 2009. The showreel features: Timo Vaittinen, Karri Kuoppala, Anssi Kasitonni, Sari Palosaari, Nicolas Schevin, Anna Virtanen and Elina Minn.

Version Festival April 23, through May 2, 2009

Aavistukset (Premonitions)

2009-03-10T14:11:00.000-07:00

Aavistukset (Premonitions) is a group show organized by Olli Keränen, Maija Luutonen and Laura Wesamaa.
The artists featured in the exhibition are: Anders Bergman, Olle Essvik, Alma Heikkilä, Petri Junttila, Olli Keränen, Antti Leppänen, Maija Luutonen, Pia Läspä, Muriel Lässer, Anna Rokka, Nicolas Schevin, Marja-Leena Sillanpää, Kalle Turakka-Purhonen, and Laura Wesamaa

The show will take place in HIAP Project Room, Oksasenkatu 11 & Galleria Myymälä2 between the 11th and the 29th of March 2009.
Click the read more link to read the press release and see some pictures

Untitled (Pencil on paper, 2009)

Aavistukset Premonitions

12.3. – 29.3. 2009
Galleria Myymälä2
Oksasenkatu 11
HIAP Project Room

Anders Bergman SE, Olle Essvik SE, Alma Heikkilä FIN, Petri Junttila SE/FIN,
Olli Keränen FIN, Antti Leppänen FIN, Maija Luutonen FIN, Pia Läspä FIN,
Muriel Lässer CH, Anna Rokka SE, Nicolas Schevin FR, Marja-Leena Sillanpää SE, Kalle Turakka-Purhonen FIN, Laura Wesamaa FIN

The exhibition Good deeds was organized in November 2007 in the old Heteka- factory building in Vallila, Helsinki. The collaboration originated from a wish to perform good deeds: to bring together good works and do something good for ourselves and naturally, also, to the viewers. Premonitions is a continuation of this. We return with a new group of artists that have impressed us with their interesting attitude towards art, not to mention the extremely high quality of their artistic practice. The exhibition came about in a very natural way. Once again we began by thinking of the best possible combination of exhibition spaces, artists and public. The chosen artists seemed all to be dealing with endings, last times, deconstruction and apocalyptic atmospheres. The theme felt like it was already in the air.
As well as bringing together 14 artists, this exhibition brings together three alternative non-profit exhibition spaces. Lots of people are already familiar with Myymälä2, a gallery known for its open-mindedness. One of the newest additions to Helsinki’s exhibition spaces, Oksasenkatu 11, has taken over the space once occupied by Gallery Leena Kuumola. The space is run by a group of artists and the focus of their operation is on collaboration and conversation. They try to offer artists the means to react faster to current events and the possibility to show their work and ideas in a more effortless way. The HIAP Project Room is known to be a space where both international and Finnish artists-in-residence can showcase their work. We wish to raise the profile of the Project Room as a great space in a new kind of affiliation.
Welcome!
Olli Keränen Maija Luutonen Laura Wesamaa

Galleria Myymälä2
www.myymala2.com
Uudenmaankatu 23, 00120 Helsinki

Oksasenkatu 11
www.oksasenkatu11.fi
Oksasenkatu 11, 00100 Helsinki

HIAP Project Room
www.hiap.fi
Kaapelitehdas C4 Tallberginkatu 1 C 97, 00180 Helsinki

Komeetoista valaisiin

2009-03-10T12:02:00.000-07:00

An examination text about my final work for the Master of Fine Arts degree written by Mika Hannula has been published in the book Komeetoista valaisin. The book is a selection of MFA examination texts from the Finnish Academy of Fine Arts between the 1995 and 2008. To the read the full text: click the read more link.
The book, which is a very interesting insight into the recent Finnish visual art scene, can be bought directly from the Finnish Academy of Fine Arts or ordered online from Akateeminen kirjakauppa’s web store.

Nicolas Schevin’s Master of fine Arts degree thesis consists of participation to the Graduate show of 2004 at Taidehalli with group of videos and large drawings, 2 artist’s books and a written section called “Deviation standards”.

The written part of this project is perhaps the most well thought-through essay I have seen in this level of studies. It is elegantly written, tightly argued, informative, challenging, critical and reflective.

However, before going into the written part in detail, let me first focus on the works on display at Taidehalli. As an artist, Schevin does something that is called drawing. He draws, and he draws – and then he draws more. The point in his whole project is not what he does (drawings, right) but how he does it.

The journey from what to how, the mental, conceptual and technical distance covered in this move is very fascinating. In short, the act of drawing for Schevin is not a means for imitation or documentation. He is not reproducing, neither is he creating. For me, the adequate word is generating.

Schevin is generating images with the means of drawings – not more, not less. There is not any authentic beginning, not a final end either. There is the process – and during that process that elementary act of drawing alters itself into many different ways and manifestations.

In the Taidehalli show there were drawings as in large paper works on the wall, and there were drawings as in animations. Or to put things in perspective on the scale of what a collection of drawings can be: the two artist books that he has included in the MA degree presentation. Books as experiments that combine trashy drawings and witty slogans without turning into lame jokes or incomprehensible mumble. Thus, Schevin is in the constant process of thinking through what to do with drawing, how to twist and turn it. And yes, the results are convincing. Pleasant to watch, pleasant to admire.

Moving on to the written part of the thesis, this is somewhat of a surprise. It is a type of written part of a thesis that we have not – unfortunately – been so used to in the field of contemporary art and visual culture. It is a text that is both very clear but also very ambitious. Well written, economically and clearly structured and in overall perspective well produced.

In fact, Schevin’s text proves on it’s own a point why a text can be a very productive tool for visual artists. It provides a tool for critical and reflective thinking, forcing to the core issues that burn and heals, scream and caress. I don’t think I am exaggerating when I state that it comes across the text both how Schevin has enjoyed this analytical-reflective part and how it has, in the end, helped himself to focus more and better on his activities as an artist.

Another side-product of this essay is how it manages to do what one expects of something called artistic research on a Ph.D level. Granted, Schevin does it at MA level, and as it stand now, it would not qualify for the next level due to its shortness and lack of further analytical development of the themes it brings to the front, but it does certainly present a fruitful starting point.

But what makes this text so extravagant? Well perhaps it is precisely so good because it’s not extravagant. It is a very straight-forward attempt to articulate where does he come from as an artist, with what works is he talking with when he does what he does, where has he stood (as in contextual situatedness) during the various periods of his studies, and where does he want to move towards in the next phase of his career. And yes, that’s it, basically.

That is what artistic research is about. But only if and when it is done with the analytical rigor presented by Schevin. Honestly, systematically and with a passion for the issues at hand.

We get a fine view of development from someone who did mainly drawings on paper towards something else, a description of the route and the technique of changing the sizes of the drawings from small to large, an explaining of the move from still images to animation. We also get an articulation of how his views and strategies compare with other artists views and strategies. Just as one example, in the question of how to tell a story, Schevin very nicely borrows a concept of “feverish narration” from Tony Oursler. The point is that he does not copy Oursler style or intent, but uses in a fresh and new way Oursler’s views and ideas.

In the end, I think it is best to let himself to articulate what he does and why. “I could summarize each piece of my work as mental exercise stimulating imagination. I choose and select the disconnection. I compose it. I dissect drawings, ideas and texts. I open them, isolate some elements, I interchange some of them, or I might as well eliminate something in the process.”(p.36)

Sincerely Yours

Mika Hannula
Professor of Art & Society, Academy of Fine Arts

Nordic Drawings 2008

2008-05-27T14:38:00.000-07:00

Nicolas Schevin’s work will be featured in the exhibition Nordic Drawings.
The group exhibition is an attempt to show the current trends for drawing as a medium used in contemporary art practices in the Nordic countries. 28 artists from
Denmark, Norway, Finland, Sweden, the Faeroe Islands, Greenland and Samiland are invited.
The first show will take place in Skellefteå Konsthall, Sweden from 1 June until 17 August 2008. Nordic Drawings will then travel to Rackstadmuséet, Arvika, Sweden, 14 September - 26 October, and continue on a tour in other Nordic venues throughout 2009.

Artists participating to the exhibition are:
Naja Abelsen (GL), Stig Baumgartner (FI), Karlotta Blöndal (IS), Per Dybvig ( NO), Per Enoksson (SV), Lars Staffan Evjen (NO), Steingrimur Eyfjord (IS), Nuka K Godfredsen (GL), Bo Haglund (FI), Marianne Holm Hansen (DK), Emil Holmer (SV), Helene Hortlund (SV), Trond Hugo Haugen (NO), Gudny Rosa Ingimarsdottir (IS), Claes Jurander (SV), Jaakko Karhunen (FI), Kaisu Koivisto (FI), Marianne Lipschitz Jorgensen (DK), Cecilia Lundqvist (SV), Britta Marakatt-Labba (SV), Daniel Milan (DK), Jacob Noel (DK), Bárdur Oskarsson (FO), Jeff Olsson (SV), Johan Rasimus (SV), Nicolas Schevin (FI), Helle Skydt (DK), and Berit Ångman-Svedjemo (SV).

You can also find the exhibition statement in Swedish from Skellefteå website.

Untitled 2007/03

2008-03-09T05:14:00.000-07:00

Untitled 2007/03, Lenght: 1 Min 15 Sec, Original format: HDTV
This video animation unfolds a very simple and visual idea. Someone's attention is being divided between two things. For a certain time period he is constantly craning his neck up and down.

Then, he finds a solution by stretching his face in opposite direction at the same time in order to the watch both things at a time.
The way the nose and one eye of the character stretches (not only in the end but each time) was the core motivation for making this video: something a little bit funny, a little bit clumsy (or easy), and just something rather surprising.

Untitled 2007/02

2008-03-08T05:27:00.000-08:00

Untitled 2007/02, Lenght: 1 Min, Original format: HDTV
This video work is meant to be projected in portrait format as a looped video where the beginning and the end are invisible.

Basically the attention and the perception of the viewer are challenged as it presents a scene with very little movement. From time to time it’s actually completely static, until one notice the character placed on the forehead of the head is dimly breathing.

Untitled 2007/04

2008-03-08T05:23:00.000-08:00

Untitled 2007/04, Lenght: 1 Min, Original format: HDTV

Type rest of the post here

Cité Internationale Show & New Drawings

2008-01-31T03:41:00.001-08:00

This exhibition took place at Cité Internationale Universiataire de Paris during Ferbruary 2008 in the context of an artist residency organized by CitéCulture.
Click "read more" to see some pictures of the show...

My apologies for the bad quality (phone-)pictures...
The 6 drawings that made the show:

"Untitled" (pencil on paper mounted on foamcore, 66,8 x 95 cm) 2008

"Untitled (What Would You Do....)" (pencil on paper mounted on foamcore, 94 x 46 cm) 2008

"Untitled" (pencil on paper mounted on foamcore, 93,8 x 66,8 cm) 2008

"Untitled (Deep Into The Darkness...)" (pencil on paper mounted on foamcore, 68 x 48,4 cm) 2008

"Untitled (Would Have Preferred...)" (pencil on paper mounted on foamcore, 88 x 43 cm) 2008

"Untitled (You Can Get Hooked...)" (pencil on paper mounted on foamcore, 98 x 66 cm) 2008

Some views of the video works:

"Unitled 2007/02" (HD video transfered to DVD) 2007

"Unitled 2007/04" (HD video transfered to DVD) 2007

"Unitled 2007" (HD video transfered to DVD) 2007

General views:

You might also want to read this article from CitéCulture website if you speak french.

Untitled 2007

2007-09-21T04:55:00.000-07:00

Untitled 2007 / Lenght: 2 Min / Original format: HDTV
The making of this work was supported by A.V.E.K..